Bad boy of music: the rise and fall of George Antheil.
One of the many composers inspired by this pursuit was American born, Paris based composer George Antheil. Linked with the dadaist, modernist, and early futurist movements, Antheil’s work was intent on exploring the mechanisation of western society through avant-garde composition. The first draft of his most infamous work, Ballet Mecanique, was developed in 1923 and called for the on-stage.
John Matthias is Editor at Large of. His long poem about the collaboration between avant-garde composer George Antheil and screen siren Hedy Lamarr has been performed as “Automystifstical Plaice: A Ballet Mecanique Spread-Spectrum Ecstasy, with voices.” The cast included N.D. English faculty Joyelle McSweeney and Stephen Fredman. Contact Information 201 Decio Faculty Hall (574-) 631.
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The idea, which drew in part on Antheil's unsuccessful attempt to synchronise 16 pianolas in his 1924 avant-garde masterpiece 'Ballet Mecanique', suggested the use of 88 frequencies (the number of keys on a piano), and the use of perforated paper rolls to keep the frequency hops in sync with each other. This concept has since become the basis for today's spread-spectrum technology, widely used.
In fresh and provocative essays they explore how the ideas of modernism helped shape such artistic expressions as the writings of the Harlem Renaissance, the paintings of Edward Hopper, New Deal public art projects, and George Antheil's Ballet Mecanique. Extensive use of color and black-and-white illustrations results in a book that is as appealing visually as it is stimulating intellectually.
Hedy’s story is intertwined with that of American composer George Antheil,. of a grand composition for sixteen player pianos, bells, sirens, and several airplane propellers, which he called his Ballet mecanique. When he premiered the work in the US, the avant-garde composition proved a disaster. Composer George Antheil during the 1920s in Paris, when he was living above the newly founded.